Say what you will about Glenn Beck. The so-called "eyeball-magnet" has resurrected a number of issues with his Obama=racist-with-a-deep-seated-hatred-for-White-people statement, and advertisers are flexing their slowly atrophying muscles. Who said the dying traditional broadcast medium was playing second fiddle to new media?

"The Olbermanns, Hannitys, O'Reillys, Maddows and Becks of the TV world are more likely to say something that will anger a viewer, who might take it out on sponsors." Operative word there seems to be "might." Have there been RECENT studies showing that viewer dissatisfaction leads to negative consumer behavior? Is this the same world that claims if you watch it a million times, it may annoy you, but you will remember the brand (and, conceivably, buy a product because of its familiarity)? With all these viewers now tuning in, why are advertisers shying away like ridiculously shrinking violets?

All Glenn Beck is doing is loudly and obnoxiously contributing to the marketplace of ideas. If his statement was so inflammatory and was untrue, then he and his handlers will have a lawsuit on their hands. Agreed? That's perhaps one main reason why Fox has distanced itself quickly from its Beckster. But colorofchange.org is using its own clout to pressure advertisers to dump Beck, and it seems to be working. (Most notable, and perhaps ironic, example: Clorox).

Does anyone think if colorofchange.org was not an organization concerned with advocacy for people of color, the backlash wouldn't be louder? Are we (general "we") becoming afraid to confront these organizations when they apply pressure to white conservatives? Just because these white conservatives are silly and narrow-minded? I don't think we're looking at a racial issue here, but I would like to hear from some of you who are afraid this kind of matter is emblematic of a greater issue, one that represents a slippier slope than we care to acknowledge.

And for the record, I do not think that punditry belongs in the newsroom. It's just that the "newsroom" has become increasingly hard to define and as a result more difficult to regulate or follow. As far back as 1998, Neil Hickey wrote in the Columbia Journalism Review that Fox's actual "newssegments" seemed straightforward and that the main bias lay in their commentary and in the editors' choice of stories they felt the mainstream press had ignored. Whatever.

Bernard Goldberg's recent book, "Arrogance," on what he called a "liberal" media bias, is largely unreadable (in my opinion). Perhaps it makes for good john reading, if you like a good laugh or an overly long, poorly written rant. But Bernie has a point to make. It concerns what is believed by some to be an elitist culture at what has come to be known as the "prestige press." Why is it OK to disparage fundamentalist Christians, or Scientologists, but not Jews, Native Americans, or an African American president? There is a political correctness that marginalizes many Americans outside the "protected" groups, and I think it certainly is an improvement over the bigoted culture that defined much of our history until the late 1900s, but there is an overcompensating backlash to that era and I think that this is a media and free-speech problem that will only get bigger. And it will soon have little to do with advertisers.

Changing the Paradigms, Creating a Brand

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I hope we can agree that "the journalist" or the term "reporters" will be considered a too-generic designation for those working in the new world of post-legacy media. "The reporter," after all, the way we used to see her/him, the way Joe Saltzman's clip portrayed the reporter, was a product of a stable of "reporters." They were able to go out and establish credibility via their "building" (Parksism), or at least supported by it. Nowadays, as journalists become more independent of closing/downsizing legacies and have to work on making themselves a brand in the Web and Clouds - and keeping an ever-vigilant eye on ethics (perhaps by self-regulating?) - creating and maintaining a brand must go hand in hand with the 'story comes first' ethos.

Mantras for our era of journalism?

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"The more things change, the more they stay the same."
"The more things change, the more they change."
"The more things stay the same, the more they stay the same."
"Journalism by the people, for the Cloud."
"Journalism by the people, for their own glory."
"Journalism by the corporation, for the government."
"If the glove fits, you must throw away the business model because it is probably outdated."
"History is written by the victors."
"History will be written by citizen journalists with Flipcams."
"History will be written by citizen journalists with Flipcams and Photoshop."
"Print/legacy media/ethics is dead, long live <fill in the blanks here>."
"Journalism of affirmation? Affirm this."
"Journalism is the first rough draft of history, especially if you have a Flipcam."
"The new journalism is in fact history on the run...with very little fact-checking."

Is this possibly the greatest song ever?

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Although Three Dog Night hit their peak before my time, I remember hearing their music as a little boy and falling in love with their three-part harmonies and expert covers, some standards and Hoyt Axton and Elton John tunes. Chuck Negron may no longer be with them, but his 'stache - and gorgeous vocal stylings - will forever define their music. Written by the brilliant Randy Newman, "Mama Told Me Not to Come" is like a psychedelic serving of toasted sugar cane liquor pops. It's like getting oiled up and wrapped in a fur-lined Peter Max poster sprayed with rosemary essence and patchouli. Or like getting tossed out of an airplane into a mile-high tie-dyed mountain of bourbon-soaked cotton candy. I think it's better than porn, and I plan to watch this clip one hundred times before turning in tonight. My lover is not pleased.

Follow Jarkin on Twitter!

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Jarkin's Interview Post

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In preparation for a journalistic assault on the inaction of policymakers in addressing class differentials in South Los Angeles, I have begin a study of arts funding in the schools of the Los Angeles Unified School District. Who are some of the players bringing programs to the kids of the inner city, and what kinds of challenges are they facing - not just fiscal woes, but organizational and logistical? Viddy the vid below for an appetizer. JA

My Big Fat Five (BBC style)

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Here is the BBC five-shot exercise. Enjoy, perhaps with some cut melon and a mint julep.

BTW, if I had a do-over, I would have placed the hands at the start, added a closeup, gotten actual Coliseum footage - from Rome - and framed the closing face shot more like it ended, with the frame centered on the lower part of Jackson's face. I would also have had a mic for better audio in the OTS shot, of course.