I'm too often baffled by friends and family who dismiss opera as an archaic art form, irrelevant to contemporary sensibilities or "real life." Thus, opera companies' valiant attempts at community outreach - cheap student seats or the Metropolitan Opera's HD broadcasts in movie theaters - fall time and again on deaf ears.
That's everyone's loss. Last weekend, it turns out, was a glorious time for opera in Los Angeles. If opera neophytes had taken a chance either on USC's production of Benjamin Britten's "Albert Herring" or Handel's "Tamerlano," presented by LA Opera, nearly all, I think, would leave smiling. (Fortunately, LA Opera's performances continue this week.)

That's everyone's loss. Last weekend, it turns out, was a glorious time for opera in Los Angeles. If opera neophytes had taken a chance either on USC's production of Benjamin Britten's "Albert Herring" or Handel's "Tamerlano," presented by LA Opera, nearly all, I think, would leave smiling. (Fortunately, LA Opera's performances continue this week.)

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