This year, like every year, a rookie ballplayer will walk down a series of corridors to the player’s entrance to the field at Dodger Stadium. On his way, he will pass a wall sporting the name of every man to play for the Dodgers between 1883 and 2003. Next, he will pass a series of photo murals displaying some of the great moments of Dodger history, from Gibson’s home run limp (he had injured himself without anyone knowing, but he went to bat anyway, took a lame swing at the ball, and blasted it into the bleachers, the ball never to be found) to Steve Garvey nearly colliding with three of his teammates in a victory celebration at the pitcher’s mound. Next, the rookie will pass the retired jerseys of nine of the team’s greatest players, each framed on a blue background and hanging one after another along the walls. Just before he steps out onto the field, he will pass one more blue-background picture frame, this one curiously empty. He will ask if the jersey was stolen. No, they will tell him. This one is waiting for the jersey of the next great Dodger. And he could be you.
Team Historian Mark Langill was leading us on a tour through Dodger Stadium and Dodger history. I am neither passionate nor knowledgeable when it comes to baseball, but entering as we did through the player’s entrance, I felt the tug of sentimentality. The whole trip evoked a sense of the history, the culture, and the future of the Dodgers all at once. It was like standing in someone’s home and viewing the family photos in his hallway. It was personal. I can only imagine the chills that rookie will feel when he goes out on the field for his first game.
To speak with Langill, Director of Public Relations Josh Rawitch, and Senior Vice President of Public Affairs Howard Sunkin, and to spend time with them, it is hard not to get caught up in their enthusiasm. From the looks of it, they simply love their jobs.
“This is like a kid gone to Heaven,” says Sunkin.
Langill talks with simple pleasure about going to work every day.
“It’s not, ‘Hey, I’m going to the DMV or the grocery store.’ I’m going to the ballpark,” he says.
These guys seem to prove that “Dodger family” is not just corporate-speak. Rawitch is the son of both a journalist and a journalism instructor. He took journalism courses from his mother, and, at one point, so did Langill. They have that tie, that history.
Langill jokes about the experience. On his first day of class, he was scared to death of his new instructor. She stood at the front of the class, taking a pull on her cigarette, just staring at her new students, not uttering a word.
“It was like Clint Eastwood in a dress,” Langill says.
All this positive energy and play makes the franchise seem too good to be true. Even the owner, Frank McCourt, seems like a dream-maker.
“He really believes the reason to own the Dodgers is to do good,” says Sunkin.
But some still say Dodger Stadium is founded upon the crushed dreams of 300 immigrant families who once lived in a shantytown called Chavez Ravine. In a political and bureaucratic bungle in the early ’50s, the city broke a promise to the people to build a new housing project and make them the very first residents. The full story is complex and worth reading about, but for those who lost their homes, it is a story of betrayal. As it turns out, the Dodgers franchise did not oust the people, but it now takes the brunt of the complaints, because, after all, it sits squarely on the land those people once owned (a few of the residents are still alive today).
Listening to Langill speak, I see a similar story played out over and over again, but with the players, not the immigrants. Take Roy Gleason, for instance. Gleason got his World Series ring shortly before being shipped off to Vietnam in the ’60s. One day he was injured by some shrapnel and they pulled him out before he had time to clear his locker. He had left his ring in the locker, and he never saw it again. When Gleason returned to the United States, he did not return to the Dodgers, not even to watch a game. Here was a man who had battled to entertain baseball fans and then battled in service to his country, a man who later was too humble to return to Dodger Stadium to ask if the team remembered him. He thought he had been forgotten.
Fortunately, this story has a happy ending. When an author called up Langill looking for some archival photos of Roy Gleason and the Dodgers, Langill went digging. Eventually, Langill heard Gleason’s story and decided to plan a secret celebration in honor of Roy Gleason. They invited him back to the park for a game in 2003 and asked him to throw the first pitch. It would be the fortieth anniversary of his rookie season. Gleason agreed, and immediately after the pitch, Vin Scully’s booming voice sounded over the P.A., saying that there was one thing missing, and that was his World Series ring. The team manager at the time, Jim Tracy, met Gleason at the third base line, the whole team trailing behind, and gave Gleason his ring (it hardly fit his pinky, but that was beside the point). Every guy on the team shook Gleason’s hand.
Gleason hadn’t called to ask for tickets in about 20 years. But after his return, after seeing his name on that wall of Dodgers (“after two long tense minutes of searching,” says Langill, who was afraid that Gleason’s name might actually have been overlooked), Gleason occasionally calls to ask if he can come see a game. He uses one or two of the six home game tickets allotted to each former Dodger for each season. He is not forgotten; players and umpires with whom he had associated 40 years ago still recognize him.
Langill says he is more interested in these kinds of stories than in the stats.
“It’s not the books, not the numbers, just the fact that former players can come back and feel welcome,” he says.
And he says the story he loved reporting most when he was a journalist wasn’t really about a Dodger breaking any record. It wasn’t even about a Dodger. He had reported on a father and son facing off in an exhibition match at a local field. The son was grown up and the father looked like “he had just come from ‘Leave It to Beaver.’” The son pitched a few and suddenly Dad hit a home run. The son was mortified. He couldn’t believe he had just thrown his father a home run pitch. But it was all in good fun. Here’s the catch: that father is now a groundskeeper at Dodger Stadium. That is why Langill loves his job. It is for the stories that pass through that stadium.
So is it worth displacing 300 families to improve the entertainment of hundreds of thousands of baseball fans, create a home for old ballplayers, and provide a place where boys can be boys in a baseball Neverland? It goes to the very heart of the American sports tradition. Dreams are made and broken in that bowl, just as they are made and broken on the streets of Los Angeles. The people of Chavez Ravine found new homes. So did the Dodgers. So whose story is more important?